Two Frame Films
Chance Diptychs Game
We made a game where we made diptychs. First, we set up two piles of photographs and rolled a dice for each pile and removed the number of pictures that appeared on the dice. The first time it was messy and out of time, so the second time we made sure to roll the dice at the same time and leave the diptychs on for 3 seconds. The third time we played random music and sounds in the background.
The colour and writing stood out to me in these images i the saw that the colour of one is black and white and the other one was very colourful and vibrant nt which makes them some what opposite to each other. The Blue tint to the first one contrasts to the blue bin which draw me to putting these two images together. i also saw the lamp and the tall and straight lines connect together to bring them both together. These two images gave me a homely and warm feeling which made me decide to place their images together. |
Luke Fowler
With Luke Fowler's 'Two Framed Films', the diptychs made aren't generally intentional and large numbers of them are matched together by some coincidence. To make his series of photos, he utilized a half edge camera, meaning the camera permits the standard 35mm casing be presented to two shots rather than the customary one. This really intends that there are two pictures on one edge together typically a roll of 36 openings is 36 pictures, but because of the half casing camera, it delivered 72 pictures which is obvious through the dark line between the two pictures in his diptychs. Because of such an enormous number of openings, he was frequently uncertain concerning which photographs would be matched together as a considerable lot of them were taken with a lot of time between them. In any case, as shown by the main photograph, these pictures could likewise be caught inside the space of seconds or minutes of one another, making an undeniable matched diptych.
Fowler's diptychs specifically reference to the 'theory of montage' which originated from Russian film-makers in the 1920s, a prime example being Sergei Eisenstein. Eisenstein's work is explained well through the video below:
John MacLean
John MacLean makes diptychs with activates. Most of his diptychs are photos of the identical issue however some thing barely different, e.g. lighting, angle, framing. This is exciting because it makes you reflect onconsideration on what you`re seeing and the way photos are best one second in time and also you don`t recognise what occurred earlier than or after that photograph. He created a listing of activates and created diptychs primarily based totally on those. It is difficult to inform which activates he used for which as all could make sense.
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Photos to make into diptychs
With these specific diptychs, i decided on two images to make diptychs and chances two images to make diptychs. these are the images i chose from:
I decided on these image to make them a diptych as they are both outside
and they both have long tall structures to them.
and they both have long tall structures to them.
These images look quite similar as they both have people on them doing some sort of
action, and you cant see this but they were both taken in the same area in London.
action, and you cant see this but they were both taken in the same area in London.
Osma Harvilahti Ethiopia
The identify Ethiopia recommend to me that it's miles literal with inside the experience of seeing the u . s . a . however whilst searching on the photographs you get a kind of information of the existence over there. The purpose why he made the pictures is due to the fact he could, he noticed stuff he identified in an area he shouldn`t and the colors of mild that had been round him so he determined to take pictures of it. In one precise diptych you notice the 2 pictures are very comparable however they've absolutely distinctive memories and that turned into all round him of the identical matters however with distinctive memories. So at the floor the diptych may be very comparable however on a deeper degree they're very distinctive.
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Katie Olinsky
With Katie Olinsky's Alaskan 'The Spring Thaw' she makes diptychs by matching photographs of a similar scene yet captured at various times in the year where they look restricting. I for one find this intriguing as I like how different a similar area of land can be, basically because of the various seasons in the year.