Berris Conolly
Berris Conolly, previously a business photographic artist, went to narrative photography during the 70s, at first catching his area in Hackney before a commission took him to Sheffield - where he actually resides today.These meditative highly contrasting photos from the 70s and 80s archive the capital's metropolitan scene and its kin. In some cases baffling, frequently strange, Berris Conolly's pictures show portions of London that many may never have seen; for others they will be an entry to the past. |
Experimental Photoshoot
I went into the studio and just started to experiment with different lighting techniques and the different lenses which were newly available to me. these are the still life photographs that I took, for this I used a 55 inch camera lens, a 24-75 camera lens an also a 100-400 camera lens.
Henry Wessel
Exploring the territory in which nature and way of life meet, Wessel`s deadpan snap shots proportion the spontaneity and authenticity of snapshots, combining disarming frankness with irreverent humor. His low-key fashion suits the modest nature of his problem matter: he has observed an inexhaustible richness with-inside the aesthetics of the everyday, turning the least huge of topics right into a form of private poetry.
Dark Room Developing and Printing
For this I took my own images o a little derive on a film camera, and then I came back into the dark room and started to develop the film. After it was all developed I waited a couple of days for the film to be completely dry and then I started to look at the negatives and started to print them onto printing paper. I then did a contact sheet to what I had all of the film developed so I could have al look at it and it all went well and I printed 3 really good images.
My Final Derive Shoot
For this derive I went on a walk and looked for where the light fell onto a subject and if I found inspiration within that I would quickly snap a shot of it so that I didn't lose the inspiration behind one of the reasons I took the photograph. After all of the single shots I took I wrote down the time and the road that the image was taken on, I did this so that I could use this final written piece in my final book to show where I took these images and what time they were taken. I also did this for my final project as when light falls on different things you can see where the light falls on different areas of the frame depending on the time it was taken and where the light falls at the time of pressing the shutter.
My Final Photo Book
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this is my final photobook, from the green video to the yellow is the proses in which my photo book has taken and the journey that I have taken to progress my idea and through trial and error to come to what my final photobook is now.
And this is my final photobook. I really like how it has turned out and how my of an improved project it has, it has come so far with many different things coming out of it but to the final idea this is a project and book that i am very proud of and think has turned out amazingly.